Fulton County has one of the highest eviction rates in the country, with approximately 800 tenants receiving an eviction notice every week, one in five over the course of a year, or 109 every day. In the 30291, 30337 and 30331 zip codes, which include Union City, College Park, and areas just west of Atlanta, eviction rates have gone above 40 percent.
On June 5th, 2019, Netflix dropped the fifth season of its dark anthology series, Black Mirror, to eager audiences, myself included. Due to a new job and other extraneous forces, though, I couldn’t devour the three-episode season in one sitting like I would with previous ones. However, the episode titled “Striking Vipers” kept popping up in many of my remaining social media feeds, provoking in-depth discussion among those who had seen it. When I did finally get to the episode, I was left with metaphorical blue balls at what had just transpired on my screen.
Thirty-years ago this year, the world was introduced to the elastic, richly textured instrument of one Mr. Tevin Campbell. Shepherded into the offices of Warner Bros. Records by jazz pioneer Bobbi Humphrey and signed by Warner Bros. renowned Senior Vice President of Black Music, Benny Medina, the then-12-year-old singer would be launched into the public consciousness by no less than the iconic Quincy Jones. If that start wasn’t impressive enough, Campbell’s 1989 debut single with Jones would eventually become a #1 hit on the Billboard R&B charts, “Tomorrow (A Better You, Better Me),” somewhere around the same time Campbell was just turning 14. Partially driven by a single that would, for a time, be a hallmark in the graduation auditoriums of schools, teen talent shows, and youth choirs in churches across America, Back on the Block would go on to win the Grammy for Album of the Year.